雕漆是把天然漆料在胎上涂抹出一定厚度，再用刀在堆起的平面漆胎上雕刻花紋的技法。雕漆工藝是中國漆工藝的一個重要門類，也是北京傳統(tǒng)工藝美術的精華之一。它體現(xiàn)了我國工藝美術家的高超技藝和聰明才智，是中華民族傳統(tǒng)工藝的瑰寶。雕漆與景泰藍、象牙雕刻、玉雕齊名，被譽為京城工藝“四大名旦”之一。
Introduction o fWen Qiangang
Chapter One The History and Culture of Carved Lacquerware
Section 1：All I Know about the History of Carved Lacquerware
Section 2：Colorful Patterns of Carved Lacquerware
Summary
Chapter Two MyFated Relationship with Carved Lacquerware
Section 1：The Journey of My Artistic Career
Section 2：My Masters
Section 3：My Life at the Beijing Carved Lacquerware Factory
Summary
Chapter Three Features and Methods of the Crart of Carved Lacquerware
Section 1：One Cut to Perfection
Section 2：The Design Is the Soul
Section 3：The Production Process of Carved Lacquerware
Summary
Chapter Four My Studio hoo
Section 1：My Studio
Section 2：The Master Craftsmen in My Studio
Section 3：My Apprentices
Summary
Chapter Five My Works
About My Works
Summary
Chapter Six The Future of Carved Lacquerware
Section 1：Current Views on Carved Lacquerware
Section 2：I Reflect on the Future of Carved Lacquerware with My Artworks
Section 3：Beijing Intangible Cultural Heritage Genter Recruiting Apprenticcs for My Studio
Summary
Appendix A Chronological Record of Wen Qiangang's Art Life
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